Only Connect

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A01=John K.G. Shearman
Adolf von Hildebrand
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Albrecht Durer
Altarpiece
Andrea del Sarto
Andrea Fulvio
Andrea Mantegna
Andrea Solari
Antonello da Messina
Antonio Rossellino
Apelles
Aretino
Aristides
Author_John K.G. Shearman
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Bacchus and Ariadne
Baptistery
Baroque architecture
Basilica
Baxandall
Bembo
Benjamin
Bouwsma
Burckhardt
Camera degli Sposi
Caravaggio
Carmelites
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Catullus
Cecilia Gallerani
Chiaroscuro
Christ among the Doctors (Durer)
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Counter-Reformation
Cristofano Allori
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Della Rovere
Diego Velazquez
Disraeli
Domenico di Bartolo
Donatello
Duke of Florence
Edward Burne-Jones
Epigram
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Ernst
Este
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Feast of the Gods (art)
Filarete
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Fra Pietro da
Friedlander
Galleria Borghese
Ginevra de' Benci
Giorgio Vasari
Giorgione
Giovanni Bellini
Giovanni Pisano
Giulio Romano
Grand manner
Harvard University
Hercules and Cacus
hermeneutics
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High place
High Renaissance
historicism
historiography
Hyperbole
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Intentionality
interpretation
Jacob
Jacques
Jan van Eyck
John
Kemp
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Las Meninas
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Marriage of the Virgin (Perugino)
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Michelangelo
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Steinmann
The Feast of the Gods
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Product details

  • ISBN 9780691252711
  • Dimensions: 203 x 254mm
  • Publication Date: 15 Aug 2023
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A leading art historian’s plea for a more engaged reading of Italian Renaissance art

Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer—that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.

John Shearman (1931–2003) was the Charles Adams University Professor Emeritus at Harvard University and the author of many books, including Raphael in Early Modern Sources, 1483–1602; The Early Italian Pictures in the Collection of Her Majesty the Queen; and Mannerism.

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