Onstage and Offstage Worlds in Shakespeare's Plays

Regular price €43.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Anthony Brennan
Act III
acting
Antonio's Losses
Antonio’s Losses
Author_Anthony Brennan
battles in literature
Caesar's Ghost
Caesar's Revenge
Caesar’s Ghost
Caesar’s Revenge
Caius Marcius
Category=DSG
director
drama
Dramatic Economy
dramatists
Duke Senior
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Forum Scene
Heir Apparent
Henry IV
Iago's Plot
Iago’s Plot
Il Pecorone
Lady Capulet
messengers in literature
Offstage Action
Offstage Event
Offstage World
Onstage world
Physical Combat
reporters in literature
reporting in literature
Richard III
Shakespeare's plays
Shylock's House
Shylock’s House
Stage Absence
Tiring House Wall
Trial Scene
Violated
Willow Scene
Young Man

Product details

  • ISBN 9780367686031
  • Weight: 489g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Feb 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.

More from this author