Open-Air Rock-Art Conservation and Management

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ancient imagery
Apuane Alps
British Rock Art
Category=GLZ
Category=NKL
Category=NKX
Chaco Culture National Historical Park
conservation
Custodian Policy
documentation
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
erosion
Erosion Speed
Gps Location
heritage site preservation
intervention
KNP.
Mercury Intrusion Porosimetry
natural processes
Ndukuyakhe Ndlovu
non-invasive monitoring
Norwegian Rock Art
Open Air Rock Art
Open Air Rock Art Conservation
Open Air Rock Art Sites
open-air archaeological conservation methods
Passage Tombs
petroglyph documentation
public archaeology engagement
public presentation
resource assessment
Rock Art
Rock Art Centre
Rock Art Conservation
Rock Art Management
Rock Art Motifs
Rock Art Panels
Rock Art Sites
Rock Art Tourism
Serra Da Capivara
site management strategies
stone weathering analysis
uKhahlamba Drakensberg Park
weathering
X104 CFU

Product details

  • ISBN 9780367868406
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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While much has been achieved in understanding and managing weather effects and erosion phenomena affecting ancient imagery within the relatively protected environments of caves and rock-shelters, the same cannot be said of rock-art panels situated in the open-air. Despite the fact that the number of known sites has risen dramatically in recent decades there are few examples in which the weathering and erosion dynamics are under investigation with a view to developing proposals to mitigate the impact of natural and cultural processes. Most of the work being done in different parts of the world appears to be ad-hoc, with minimal communication on such matters between teams and with the wider archaeological community.

This richly illustrated book evaluates rock-art conservation in an holistic way, bringing together researchers from across the world to share experiences of work in progress or recently completed. The chapters focus on a series of key themes: documentation projects and resource assessments; the identification and impact assessment of weathering/erosion processes at work in open-air rock-art sites; the practicalities of potential or implemented conservation interventions; experimentation and monitoring programs; and general management issues connected with public presentation and the demands of ongoing research investigations. Consideration is given to the conservation of open-air rock-art imagery from many periods and cultural traditions across the Old and New Worlds. This timely volume will be of interest to conservators, managers, and researchers dealing with aesthetic and ethical issues as well as technical and practical matters regarding the conservation of open-air rock-art sites.

Timothy Darvill is Professor of Archaeology in the Faculty of Science and Technology, Bournemouth University, UK.

António Pedro Batarda Fernandes is a postdoctoral research fellow in the Faculty of Science and Technology, Bournemouth University, UK, and the Côa Museum and Archaeological Park, Portugal.