Opera Remade, 1700-1750
Regular price
€42.99
abbandonata
Act Iii
Age Group_Uncategorized
Age Group_Uncategorized
Alessandro Scarlatti
american
antonio
Antonio Vivaldi
Attilio Regolo
automatic-update
B01=Charles Dill
Balcony
Baroque
British Library Board
Category1=Non-Fiction
Category=AVGC9
Category=AVLF
COP=United Kingdom
cross-dressing in music
cultural history of theatre
Da Capo
Delivery_Pre-order
Della
didone
Drury Lane
eighteenth-century musicology
ellen
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Follow
gender roles in opera
Haymarket
Held
italian
Italian Opera
Language_English
librettist analysis
Mad Scene
Major Aria
musicological
opera criticism methodologies
Opera Seria
PA=Not yet available
performance practice studies
Pietro
Price_€20 to €50
PS=Active
Recitative Scene
rosand
Royale De Musique
seria
society
softlaunch
Tito Manlio
Vice Versa
Vivaldi
Winton Dean
Young Man
Product details
- ISBN 9781032919003
- Weight: 1040g
- Dimensions: 174 x 246mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
Charles Dill, University of Wisconsin, Madison, USA
