Opera Remade, 1700-1750

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abbandonata
Act Iii
Alessandro Scarlatti
american
antonio
Antonio Vivaldi
Attilio Regolo
Balcony
Baroque
British Library Board
Category=AVLF
cross-dressing in music
cultural history of theatre
Da Capo
Della
didone
Drury Lane
eighteenth-century musicology
ellen
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eq_isMigrated=2
eq_music
eq_nobargain
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gender roles in opera
Haymarket
Held
italian
Italian Opera
librettist analysis
Mad Scene
Major Aria
musicological
opera criticism methodologies
Opera Seria
performance practice studies
Pietro
Recitative Scene
rosand
Royale De Musique
seria
society
Tito Manlio
Vice Versa
Vivaldi
Winton Dean
Young Man

Product details

  • ISBN 9780754629009
  • Weight: 1260g
  • Dimensions: 174 x 246mm
  • Publication Date: 28 Nov 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
Charles Dill, University of Wisconsin, Madison, USA