Operatic Archive

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A01=Colleen Renihan
aesthetics
affect theory
Affective Engagement
Alun Munslow
American Opera
American's opera
Ashgate Interdisciplinary Studies in Opera
Author_Colleen Renihan
Black Madonna
Category=ATD
Category=AVLA
Category=AVLF
Category=NHAH
Chopin
Colleen Renihan
Combat Ptsd
cultural memory
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
film studies
Frank Ankersmit
Ginsberg's Poetry
Ginsberg’s Poetry
Glass's Music
Glass’s Music
historical representation
Historical Sublime
Historical Time Travel
Historiographical Opening
Human Suffering
Lesbian Archives
LHA
Lieu De
memory studies
Music Therapy
Nora's Concept
Nora’s Concept
opera as historical narrative
opera studies
operatic historiography
performance studies
Performative Time
philosophy of history
Queer Archives
Roger Luckhurst
Silent Night
Soldier Songs
Sublime Historical Experience
temporality
Transferential Space
twentieth-century music

Product details

  • ISBN 9781032236889
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera’s powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers.

Considering opera’s ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera’s ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations).

Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.

Colleen Renihan is Assistant Professor and Queen’s National Scholar in Music Theatre and Opera at Queen’s University in Kingston, ON, Canada.

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