Operatic State

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A01=Ruth Bereson
Alexander III
Anatoly Lunacharsky
arts funding policy
Author_Ruth Bereson
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Contemporary Society
cultural institutions management
Deutsche Oper Berlin
Diamond Horseshoe
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fenice
garnier
grand
Grand Opera House
Grand Opera Houses
house
Imperial Theatres
italian
King Carlos III
La Fenice
Large Stage Performances
Majesty Queen Elizabeth II
Mao Zedong
Metropolitan Opera
Metropolitan Opera House
Napoleon III
NSW Minister
opera house political influence analysis
Palacio De Bellas Artes
palais
performing arts economics
Pop Stars
power
RAF Bomb
ritual and ceremony studies
ROH
royal
Royal Opera House
scala
State Opera Houses
state patronage arts
Sydney Opera House
Tsar Alexander III
Western music history

Product details

  • ISBN 9780415278515
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Mar 2002
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.

Ruth Bereson began her career as an arts manager and has since incorporated that practice in research and studies on arts and cultural policy in Australia, Singapore, Britain, France and the USA. She is the editor of Artistic Integrity and Social Responsibility: You Can’t Please Everyone! (Ethos Books, 2001). She is currently Associate Director of the Program in Arts Administration and Assistant Professor of Practice at Teachers College, Columbia University.

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