Original Portrayal of Mozart’s Don Giovanni

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A01=Magnus Tessing Schneider
adaptation
Allegro
Allgemeine Musikalische Zeitung
Ashgate Interdisciplinary Studies in Opera
Author_Magnus Tessing Schneider
Ballroom Scene
Catalogue Aria
Category=AFKP
Category=ATD
Category=AVLF
Category=AVLM
Category=AVN
Category=AVP
character analysis in opera
criticism
Da Ponte
Da Ponte's Libretto
Don Ottavio
dramatury
early Don Giovanni performance practice
eighteenth-century musicology
enlightenment
Enlightenment dramaturgy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
German Language Production
German opera reception
German reception
Goldoni's Play
Graveyard Scene
Karl Moor
Losey Film
Luigi Bassi
Magnus Tessing Schneider
Max Slevogt
Moliere
morality
Mozart
Mozart's Don Giovanni
Mozart's Opera
Mozart's Setting
Mozart’s Don Giovanni
Music History
opera performance studies
Opera Studies
performance history
Richard III
stage production
Stone Guest
Supper Scene
Theatre and Performance Studies
Tirso's Play
translation
Una Cosa Rara
Viennese
vocal interpretation history
Wo
Wolfgang Amadeus Mozart
Young Man

Product details

  • ISBN 9781032158334
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825).

Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions.

Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.

Magnus Tessing Schneider (Stockholm University) is a Danish theatre scholar specialising in seventeenth- and eighteenth-century Italian opera. He has edited Mozart’s La clemenza di Tito: A Reappraisal (2018), together with Ruth Tatlow, and Felicity Baker’s essay collection Don Giovanni’s Reasons: Thoughts on a Masterpiece (2021).

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