Ornament and European Modernism

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Abstract Ornament
abstraction
Age Group_Uncategorized
Age Group_Uncategorized
Animal Kingdom
Applied Arts
architectural decoration analysis
art
art history
art practice
art theory
Artistic Volition
August Endell
August Schmarsow
automatic-update
Aux Morts
B01=Loretta Vandi
Category1=Non-Fiction
Category=ABA
Category=ACXD2
Category=AGA
Christiane Hertel
Consistency Test
COP=United Kingdom
Debra K. Schafter
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ernst Gombrich
Europe
Foto Marburg
German art history
Gestalt theory
Greek Ornament
Henry Van De Velde
Hermann Muthesius
historical ornament theory scholarship
Isabelle J. Frank
Jones's Grammar
Jones's Principles
Jones’s Grammar
Jones’s Principles
Language_English
Loos's Essay
Loos’s Essay
Mass Ornament
modernism
modernist design criticism
Museum Der Bildenden
nineteenth-century aesthetics
Ole W. Fischer
ornament
Owen Jones
PA=Available
Palais Stoclet
pattern
Pavlos Jerenis
perception in art theory
Picture Perception
Price_€100 and above
PS=Active
Redundancy Test
Smithsonian Institution Libraries
softlaunch
Steam Ships
theory of perception
Van De Velde
Viennese Secession
visual culture theory
Werkbund Debate
Young Man

Product details

  • ISBN 9781138743403
  • Weight: 676g
  • Dimensions: 178 x 254mm
  • Publication Date: 12 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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These in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.

Loretta Vandi (Ph.D., Université de Lausanne, 1998) is Professor of Art History at the Scuola del Libro in Urbino. She has held four Samuel H. Kress fellowships. Her publications include La trasformazione del motivo dell'acanto dall'antichità al XV secolo (2002), Il Manoscritto Oliveriano 1 (2004), and Four Essays (2007).