Orphan Black

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Anarchy
Animating Cloning
Biopolitical Power
Category=JBCT
Clone Layering
Community
Digital Innovations
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eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Identity
Jurrassic Park
Motherhood
Reproduction
Technical Interaction
Technology

Product details

  • ISBN 9781783209224
  • Weight: 386g
  • Dimensions: 178 x 229mm
  • Publication Date: 15 Jan 2019
  • Publisher: Intellect
  • Publication City/Country: GB
  • Product Form: Paperback
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Orphan Black: Performance, Gender, Biopolitics is an edited collection that covers the areas in which the series has generated the most academic interest: performance and technology; gender and reproduction; biopolitics and community. 

Chapters explore the digital innovations and technical interactions between human and machine that allow the show to challenge conventional notions of performance and identity, while others address family themes and Orphan Black’s own textual genealogy within the contexts of (post-)evolutionary science, reproductive technology and the politics of gender. Still others extend that inquiry on family to the broader question of community in a ‘posthuman’ world of biopolitical power; here, scholars mobilize philosophy, history of science and literary theory to analyze how Orphan Black depicts resistance to the many forms of power that attempt to capture, monitor and shape life.

Andrea Goulet is professor and graduate chair of French and francophone studies at the University of Pennsylvania.

Robert A. Rushing is professor of Italian and comparative literature at the University of Illinois, Urbana-Champaign.