Orpheus in the Academy

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A01=Joel Schwindt
academic influence on opera creation
Academy Members
Accademia Degli
Accademia Degli Infiammati
Accademia degli Invaghiti
Act III
Artusi
Author_Joel Schwindt
Baroque music
Baroque opera
Category=AFKP
Category=AVLA
Category=AVLF
Category=NHAH
Claudio Monteverdi
Cruda Amarilli
Divine Furor
early opera
early opera studies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Ferrante II
Francesco Rasi
gender and aesthetics
Gerusalemme Liberata
Il Ballo Delle Ingrate
intellectual history of music
Italian academies
Italian intellectual history
Italian music
Italian opera
Libro Del Cortegiano
Literary Academies
Mantua
Mantuan Court
Mantuan court culture
Monteverdi
Monteverdi Artusi Controversy
Monteverdi's Setting
Monteverdi’s Setting
music and masculinity
music history
music philosophy
musicology
opera history
Orfeo
Orpheus
Pastor Fido
Pastoral Play
performance history
philosophical dramaturgy
philosophy of music
Possente Spirto
Renaissance music
Renaissance musicology
Seconda Pratica
Tasso's Gerusalemme Liberata
Tasso’s Gerusalemme Liberata
Terza Rima
Va Ss

Product details

  • ISBN 9781032061467
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.

Joel Schwindt is Assistant Professor of Core Studies (Music History), Boston Conservatory at Berklee. He holds a PhD in Musicology from Brandeis University.

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