Othello

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A. C. Bradley
Act Iii
Agent Act Ratio
Alvin Kernan
B01=Susan Snyder
Base Men
Carnal Stings
Category1=Non-Fiction
Category=ATD
Category=DSBD
Category=DSG
Category=NL-AN
Category=NL-DS
Character Desdemona
Class Aspirant
Coleridge
COP=United Kingdom
critical perspectives on jealousy and guilt
Desdemona
dramatic character motivation
Edward A. Snow
Edward T. Mason
Edwin Booth
Ellen Terry
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
F. R. Leavis
Filthy Deeds
Folger Shakespeare
Format=BC
gender and power dynamics
Girl Friends
Hazlitt
Helen Gardner
Hellish Villain
HMM=216
Iago's Character
Iago's Plot
Iago's Speech
Iago's Words
Iago’s Character
Iago’s Plot
Iago’s Speech
IMPN=Routledge
ISBN13=9781138854949
John Middleton Murry
Kean's Iago
Kean’s Iago
Kenneth Burke
Konstantin Stanislavsky
Language_English
Laurence Olivier
laurence olivier othello
literary theory
Make Ambition Virtue
Motiveless Malignity
Othello's Face
Othello's Occupation
Othello's Visage
Othello’s Face
Othello’s Occupation
PA=Available
Paul robeson othello
PD=20161129
performance criticism
Peter Stallybrass
POP=London
Price=€20 to €50
PS=Active
PUB=Taylor & Francis Ltd
racial representation in drama
Robert B. Heilman
Samuel Foote
Samuel Taylor Coleridge
shakespeare stage
shakespeare theatre
Shakespeare's Fictions
Shakespeare's Great Tragedies
shakespearean tragedy
Shakespearean tragedy analysis
Subject=Literature: History & Criticism
Subject=Theatre Studies
Susan Snyder
The Moor
Unbitted Lusts
Vice Versa
WG=363
William Hazlitt
WMM=138

Product details

  • ISBN 9781138854949
  • Weight: 362g
  • Dimensions: 138 x 216mm
  • Publication Date: 29 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: London, GB
  • Product Form: Paperback
  • Language: English
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Originally published in 1988. Selections here are organised chronologically looking at both theatrical commentary and literary criticism. The organisation brings out the shifts in emphasis as each generation reinvents Shakespeare, and Othello, by the questions asked, those not asked, and the answers given. Chapters cover the theme of heroic action, Iago’s motivation, guilt and jealousy, and obsession. Some entries from the world of theatre delve into the portrayal of the Moor, Desdemona and Iago from the 1940s on. Authors include A. C. Bradley, William Hazlitt, Ellen Terry, Konstantin Stanislavsky, Helen Gardner and Edward A. Snow.

Susan Snyder was scholar in residence at the Folger Shakespeare Library.