Our Henry James in Fiction, Film, and Popular Culture

Regular price €49.99
A01=John Carlos Rowe
adaptation studies
Ancient Rome
Author_John Carlos Rowe
Awkward Age
Category=D
Category=DS
Charles III
cinematic interpretations of Henry James
Cybill Shepherd
Daisy Miller
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exit Ghost
feminist film analysis
gender representation
Golden Bowl
Guy Domville
James's Fiction
James's Influence
James's Novella
James's Works
James’s Fiction
James’s Influence
James’s Novella
James’s Works
Jug Jug
literary modernism
Madame De Vionnet
Maisie Knew
Nineteenth Century Women's Rights
Nineteenth Century Women’s Rights
Olive Chancellor
Peter Quint
Rear Window
Rhine Daughters
sentimental literature
Sentimental Romances
Tragic Muse
transatlantic culture
Wagner's Operas
Wagner’s Operas
Young Man

Product details

  • ISBN 9781032286815
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Our Henry James in Fiction, Film, and Popular Culture addresses the interesting revival of Henry James’s works in Anglo-American film adaptations and contemporary fiction from the 1960s to the present. James’s fiction is generally considered difficult and part of high culture, more appropriate for classroom study than popular appreciation. However, this volume focuses on the adaptation of his novels into films, challenging us to understand James’s popular reputation today on both sides of the Atlantic.

The book offers two explanations for his persistent influence: James’s literary ambiguity and his reliance on popular culture. “Part I: His Times” considers James’s reliance on sentimental literature and theatrical melodrama in Daisy Miller, Guy Domville, The Awkward Age, and several of his lesser known short stories. “Part II: Our Times” focuses on how James’s considerations of changing gender roles and sexual identities have influenced Hollywood representations of emancipated women in Hitchcock’s Rear Window and Peter Bogdanovich’s The Last Picture Show, among others. Recent fiction by authors including James Baldwin and Leslie Marmon Silko also treat Jamesian notions of gender and sexuality while considering his part in contemporary debates about globalization and cosmopolitanism.

Both a study of James’s works and a broad range of contemporary film and fiction, Our Henry James in Fiction, Film, and Popular Culture demonstrates the continuing relevance of Henry James to our multimedia, interdisciplinary, globalized culture.

John Carlos Rowe (B.A., Johns Hopkins; Ph.D., SUNY, Buffalo) is USC Associates’ Professor of the Humanities and Professor of English, American Studies and Ethnicity, and Comparative Literature at the University of Southern California. He is the author of nine books, 200 essays and reviews, and editor or co-editor of eleven books. Three of his authored books have focused on Henry James: Henry Adams and Henry James: The Emergence of a Modern Consciousness (1976), The Theoretical Dimensions of Henry James (1984), and The Other Henry James (1998). He is a past President of the Henry James Society (2011–2012).