Our War Paint Is Writers' Ink

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A01=Adam Spry
Age Group_Uncategorized
Age Group_Uncategorized
Anishinaabe literature
Anishinaabe storytelling traditions
Anishinaabeg writers
Author_Adam Spry
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Category1=Non-Fiction
Category=DS
Category=HBJK
Category=HBTB
Category=JBSL11
Category=JFSL9
Category=NHK
Category=NHTB
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Great Lakes indigenous history
Indigenous representation in American literature
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781438468822
  • Weight: 345g
  • Dimensions: 152 x 229mm
  • Publication Date: 02 Jan 2019
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Explores a little-known history of exchange between Anishinaabe and American writers, showing how literature has long been an important venue for debates over settler colonial policy and indigenous rights.

For the Anishinaabeg-the indigenous peoples of the Great Lakes-literary writing has long been an important means of asserting their continued existence as a nation, with its own culture, history, and sovereignty. At the same time, literature has also offered American writers a way to make the Anishinaabe Nation disappear, often by relegating it to a distant past. In this book, Adam Spry puts these two traditions in conversation with one another, showing how novels, poetry, and drama have been the ground upon which Anishinaabeg and Americans have clashed as representatives of two nations contentiously occupying the same land. Focusing on moments of contact, appropriation, and exchange, Spry examines a diverse range of texts in order to reveal a complex historical network of Native and non-Native writers who read and adapted each other's work across the boundaries of nation, culture, and time.

By reconceiving the relationship between the United States and the Anishinaabeg as one of transnational exchange, Our War Paint Is Writers' Ink offers a new methodology for the study of Native American literatures, capable of addressing a long history of mutual cultural influence while simultaneously arguing for the legitimacy, and continued necessity, of indigenous nationhood. In addition, the author reexamines several critical assumptions-about authenticity, identity, and nationhood itself-that have become common wisdom in both Native American and US literary studies.

Adam Spry is Assistant Professor of Writing, Literature, and Publishing at Emerson College.

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