Out of This World

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A01=Priscilla Dionne Layne
absurdity
African American
Africanfuturism
Afrofuturism
Age Group_Uncategorized
Age Group_Uncategorized
alternate worlds
Author_Priscilla Dionne Layne
automatic-update
Black feminism
Black German
Black Quantum Futurism
Category1=Non-Fiction
Category=AFKP
Category=APB
Category=DS
Category=DSB
Category=DSRC
Category=JBSL
Category=JFSL3
children
colonialism
comics
contrapunctus
COP=United States
critique
culture
decolonialism
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diaspora
digital diaspora
disability
dodua otoo
East Germany
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eurocentric
fantasy
feminism
futurism
futurity
gender
gender identity
Germany
haunting
hope
interlopers
Language_English
linear time
literature
mais in deutschland und andered galaxien
media
michael gotting
olivia wenzel
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performance
pessimism
postcolonial
postcolonialism
posthumanism
Price_€20 to €50
PS=Forthcoming
queer
race
racial history
racism
sci-fi
science fiction
softlaunch
space travel
speculative fiction
synchronicity
theater
trauma
tropes
utopia
we are the universe

Product details

  • ISBN 9780810147577
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Nov 2024
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Examining Afro-German artists’ use of Afrofuturist tropes to critique German racial history

The term Afrofuturism was first coined in the 1990s to describe African diasporic artists’ use of science fiction, speculative fiction, and fantasy to reimagine the diaspora’s pasts and to counter not only Eurocentric prejudices but also pessimistic narratives. Out of This World: Afro-German Afrofuturism focuses on contemporary Black German Afrofuturist literature and performance that critiques Eurocentrism and, specifically, German racism and colonial history. This young generation has, Priscilla Layne argues, engaged with Afrofuturism to disrupt linear time and imagine alternative worlds, to introduce non-Western technologies into the German cultural milieu, and to consider the possibilities of posthumanism. Their experiments in futurist and speculative narratives offer new tools for breaking with the binary thinking about race, culture, and gender identity that have been enforced by repressive ideological and state apparatuses, such as educational, cultural, and police institutions. Rather than providing escapism or purely imaginary alternatives, however, they have created a space—outer and artistic—in which their lives matter.

Priscilla Dionne Layne is a professor of German at the University of North Caroline at Chapel Hill and the author of White Rebels in Black: German Appropriation of Black Popular Culture.

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