Outsider, Art and Humour

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Paul Clements
absurd
appropriation
art history
Art Theme Parks
Author_Paul Clements
BILL POSTERS
bourgeois
Category=AB
Category=AGA
Category=GLZ
Category=JBCC
Category=JBSA
Category=JHB
Category=NHTB
Circa
conformity
creative expression
cultural marginality
cultural studies
culture
Disabled Veterans
Disabled War Veterans
elitism
Entartete Musik
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fine art
Freak Show
George Maciunas
Gogh
Guerrilla Girls
Hang Man
heterotopia studies
humor
humor in contemporary art analysis
humor studies
humour
humour studies
Humour Style
identity
identity representation
John Morreall
King George III
laughter
Man's Field
Man’s Field
Marginal Art
marginalization
minority rights
Mr Punch
Omnivorous Taste
othering
outsider art
outsider literature
Page Boy
People's Laughter
People’s Laughter
political correctness
political transgression
Roy Lichtenstein
satire
social class
social exclusion
social exclusion theory
Superior Humour
Vincent Van Gogh
visual art
visual culture
visual satire
Young Men

Product details

  • ISBN 9780367468224
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 20 May 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness.

Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and 'fake news'. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal.

This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.

Paul Clements is Lecturer at Goldsmiths College, University of London. He is the author of The Creative Underground: Art, Politics and Everyday Life (Routledge, 2017) and Charles Bukowski, Outsider Literature, and the Beat Movement (Routledge, 2013).

More from this author