Over Here, Over There
Regular price
€100.99
A01=William Brooks
absence
Age Group_Uncategorized
Age Group_Uncategorized
Author_William Brooks
automatic-update
B01=Christina Bashford
B01=Gayle Magee
B01=William Brooks
British music criticism during World War 1
Canada Dominion Songbook
Category1=Non-Fiction
Category=AVC
Category=AVGN
Category=AVL
change
Charles Ives
Charles Ives and the First World War
cinema musicians
community
composers and world war 1
composers in the great war
COP=United States
death
Debussy in World War 1
Debussy propaganda
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
female cinema musicians
female cinema musicians during the Great War
female cinema musicians during World War 1
feminism
identity
illness
instruments
Irving Berlin and the Great War
Irving Berlin and World War 1
John Philip Sousa and the Great War
John Philip Sousa and World War 1
Language_English
Longleat Lyre
memorials
music and mourning
music and mourning in the Great War
music and mourning in World War 1
music and the Lusitania
music industry
music of the great war
music of world war 1
music of World War One
nationalism
orchestras
PA=Available
patriotism
prejudice
Price_€50 to €100
progressivism
propaganda
PS=Active
purpose
resistance
softlaunch
style
theatre
women
Yip Yip Yaphank!
Product details
- ISBN 9780252042706
- Weight: 513g
- Dimensions: 156 x 235mm
- Publication Date: 24 Oct 2019
- Publisher: University of Illinois Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
During the Great War, composers and performers created music that expressed common sentiments like patriotism, grief, and anxiety. Yet music also revealed the complexities of the partnership between France, Great Britain, Canada, and the United States. At times, music reaffirmed a commitment to the shared wartime mission. At other times, it reflected conflicting views about the war from one nation to another or within a single nation. Over Here, Over There examines how composition, performance, publication, recording, censorship, and policy shaped the Atlantic allies' musical response to the war. The first section of the collection offers studies of individuals. The second concentrates on communities, whether local, transnational, or on the spectrum in-between. Essay topics range from the sinking of the Lusitania through transformations of the entertainment industry to the influenza pandemic. Contributors: Christina Bashford, William Brooks, Deniz Ertan, Barbara L. Kelly, Kendra Preston Leonard, Gayle Magee, Jeffrey Magee, Michelle Meinhart, Brian C. Thompson, and Patrick Warfield
William Brooks is a professor of music at the University of York and an associate professor emeritus of composition at the University of Illinois, Urbana-Champaign. Christina Bashford is an associate professor of musicology at the University of Illinois, Urbana-Champaign, and the author of The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Gayle Sherwood Magee is a professor of musicology at the University of Illinois, Urbana-Champaign, and the author of Charles Ives Reconsidered.
