A01=Sarah Kozloff
american films
Author_Sarah Kozloff
bringing up baby
Category=ATF
Category=ATFA
censorship
cinema
class
contemporary films
cultural studies
dialect
dialogue
drama theory
dramatic irony
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
film dialogue
film studies
gangster films
genre film
language
linguistics
literature
mass media
media
melodramas
narrative film
narrative theory
nonfiction
popular culture
reservoir dogs
screenwriting
screwball comedies
stagecoach
terms of endearment
visual medium
westerns
word play
Product details
- ISBN 9780520221383
- Weight: 544g
- Dimensions: 152 x 229mm
- Publication Date: 30 Mar 2000
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, 'When a motion picture is at its best, it is long on action and short on dialogue'. Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from "Bringing Up Baby" to "Terms of Endearment", from "Stagecoach" to "Reservoir Dogs" - this lively book provides the first full-length study of the use of dialogue in American film. Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film. The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas.
Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres.
Sarah Kozloff is Professor and Chair of film studies at Vassar College. She is the author of Invisible Storytellers: Voice-Over Narration in American Fiction Film (California, 1988).
