Pablo Neruda's Ship Figureheads

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A01=Carol A. Olsen
antiques
art history
Author_Carol A. Olsen
Carol Olsen
carving styles
carvings
Category=AFKB
Category=AFKN
Category=DNB
Category=DNBL
Category=DSC
Category=NHTM
Chile
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
figurehead historian
figurehead myths
Isla Negra
latin america
lost vessels
maritime archaeology
maritime craftmanship
maritime history
maritime superstition
nautical archaeology
nautical history
naval history
Nobel Laureate
Pablo Neruda
poetic imagination
poetry
sailing
sailing ships
sea history
ship artifacts
ship figurehead collection
ship figureheads
ship forklore
ship relics
ship-shaped home
shipbuilding
ships
south america
statuary
statues
tall ships
wood carved figureheads
woodcarving
wooden carvings
wooden figurehead collections
wooden figureheads

Product details

  • ISBN 9780817362157
  • Weight: 286g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Sep 2025
  • Publisher: The University of Alabama Press
  • Publication City/Country: US
  • Product Form: Paperback
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Unlock the stories of Pablo Neruda's rare nineteenth-century carved-wood ship figurehead collection in Chile, why they mattered in his tumultuous life, and how we benefit from them now.

Poet Pablo Neruda's nineteenth-century ship figurehead collection in Chile is one of the most significant in the world. Containing carved wood images of dramatically postured men and women, these figures are now better understood due to years of research, a willingness to challenge Neruda's ever-changing stories about them, and a realization that the names Neruda chose for his figureheads perhaps had more to do with his life than theirs. The rhythm and beauty of Neruda's worn wood figures is counterpoint to his own tumultuous life as an author, politician, and communist dissident.

Collecting ship figureheads was central to Neruda's passion for owning things made of wood, a material he said was his best friend, and for standing out among others as he gradually built the public persona that helped move him toward winning the Nobel Prize in Literature. With his choir of immobilized figureheads stationed upright in his living room and facing the Pacific Ocean, Neruda was surrounded by dramatic images from the sea that ignited his most powerful feelings.

The nineteenth century saw figureheads on the bows of ships of sail and steam, yet when a figurehead was lost or removed, its history soon disappeared. The significant ship figureheads that Neruda avidly collected preserve that history and reveal new dimensions concerning his life and work. Each year, his collection is viewed by thousands of visitors to the Pablo Neruda Foundation's house museum at Isla Negra.

Carol A. Olsen is an independent scholar and researcher with decades of experience in art and maritime history. Her work has appeared in the International Journal of Nautical Archaeology and Sea History.

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