Painter's Fire

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18th century art
A01=Zara Anishanslin
american cultural history
american identity
american independence
american patriotism
american revolution
art and politics
art history
Author_Zara Anishanslin
black artists
british america
british empire
Category=AGA
Category=JBSF1
Category=NH
Category=NHD
Category=NHK
Category=NHTB
colonial america
colonial visual culture
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
founding era
Gordon Wood The Radicalism of the American Revolution
Jill Lepore These Truths
liberty
liberty symbolism
Linda Colley Britons
Maya Jasanoff Liberty's Exiles
patriot cause
revolutionary art
revolutionary artists
revolutionary era
revolutionary ideals
revolutionary ideology
revolutionary propaganda
Sarah Knott Sensibility and the American Revolution
T.H. Breen The Marketplace of Revolution
transatlantic art
visual culture
women artists

Product details

  • ISBN 9780674290235
  • Weight: 698g
  • Dimensions: 156 x 235mm
  • Publication Date: 01 Jul 2025
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Told through the lives of three remarkable artists devoted to the pursuit of liberty, an illuminating new history of the ideals that fired the American Revolution.

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

Zara Anishanslin is Associate Professor of History and Art History at the University of Delaware. She is the author of the award-winning Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World and has served as a historical consultant for the Philadelphia Museum of Art as well as “Hamilton: The Exhibition.”

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