Painting and Narrative in France, from Poussin to Gauguin
Regular price
€56.99
14 days return policy
Shipping & Delivery
academic art theory
Age Group_Uncategorized
Age Group_Uncategorized
allegory in visual arts
automatic-update
B01=Nina Lübbren
B01=Peter Cooke
Belinda Thomson
Beth S. Wright
Category1=Non-Fiction
Category=AB
Category=ACV
Category=AFC
Category=AGA
Category=HBJD
Category=NHD
Claudine Mitchell
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Etienne Jollet
French art historiography
grand
history
history painting analysis
Ienne Jollet
Language_English
louvre
Marianne Cojannot-Le Blanc
Mark Ledbury
narrative structures in French painting
nicolas
Nina LBbren
Nina Lubbren
PA=Temporarily unavailable
palais
Patricia Smyth
Peter Cooke
pictorial
pictorial narrativity
Pierre Serie
piles
Price_€20 to €50
PS=Active
Richard Wrigley
rmn
roche
roger
Scott C. Allan
softlaunch
Susanna Caviglia
visual storytelling techniques
Product details
- ISBN 9780367200275
- Weight: 400g
- Dimensions: 156 x 234mm
- Publication Date: 23 May 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Before Modernism, narrative painting was one of the most acclaimed and challenging modes of picture-making in Western art, yet by the early twentieth century storytelling had all but disappeared from ambitious art. France was a key player in both the dramatic rise and the controversial demise of narrative art. This is the first book to analyse French painting in relation to narrative, from Poussin in the early seventeenth to Gauguin in the late nineteenth century. Thirteen original essays shed light on key moments and aspects of narrative and French painting through the study of artists such as Nicolas Poussin, Charles Le Brun, Jacques-Louis David, Paul Delaroche, Gustave Moreau, and Paul Gauguin. Using a range of theoretical perspectives, the authors study key issues such as temporality, theatricality, word-and-image relations, the narrative function of inanimate objects, the role played by viewers, and the ways in which visual narrative has been bound up with history painting. The book offers a fresh look at familiar material, as well as studying some little-known works of art, and reveals the centrality and complexity of narrative in French painting over the course of three centuries.
Peter Cooke is Senior Lecturer in French Studies at the University of Manchester, UK. His most recent book is Gustave Moreau: History Painting, Spirituality and Symbolism.
Nina Lübbren is Art Historian and Principal Lecturer in Film Studies, and Deputy Head of Department of English, Communication, Film and Media, Anglia Ruskin University, UK.
