Painting Labour in Scotland and Europe, 1850-1900

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A01=John Morrison
academy
art
Author_John Morrison
bridgeman
Category=AB
Category=AF
Category=AGA
Category=NHTB
comparative art analysis
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eq_bestseller
eq_history
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eq_nobargain
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European realism
hague
imagery
library
nineteenth-century art
romanticism in painting
royal
rural
rural labour iconography research
rural visual culture
school
scottish
Scottish social history

Product details

  • ISBN 9781138270275
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Painting Labour in Scotland and Europe, 1850-1900 explores hitherto unrecognized European variations in the phenomena of rural labour imagery, particularly in Scotland. In exploring these distinctions relative to Scotland and Europe it looks to develop a new understanding of the commonalities and idiosyncrasies of rural labour imagery which have often been treated as homogenous. Lacking the detailed analysis that has been accorded other images, writing about Scottish painting has often been appended to analyses of English or French imagery. It has generally been understood as intellectually divorced from the sometimes brutal realities of evolving Scottish nineteenth-century urbanism, or simply ignored. Painting Labour in Scotland and Europe, 1850-1900 sets out systematically to discuss the Scottish rural painting in relation to its particular Scottish historical context, both sociological and aesthetic and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many hitherto under researched and unconsidered paintings by nineteenth-century Scottish artists, and considers them in relation to major English and Continental Realist and Romantic painters. The juxtaposition of J.F. Millet with W.D. McKay, and Edwin Landseer with George Reid makes for a volume that will appeal both to an academic audience and to one interested in European art history more generally.
John Morrison is Professor of Art History and Head of School - Divinity, History & Philosophy, University of Aberdeen, UK.

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