Painting the Bible

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A01=Michaela Giebelhausen
academic art criticism
Anti-academic Stance
Author_Michaela Giebelhausen
Bible Gallery
biblical subject depiction
Biblical Subject Matter
Category=AGA
Category=AGR
Charles Lock Eastlake
Christ Blessing
Contemporary Religious Art
Daniel Maclise
Early Pre-Raphaelite Work
Ecce Ancilla Domini
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ford Madox Brown
Fra Angelico Painting
Historical Genre Painting
Hunt's Autobiography
Hunt’s Autobiography
matter
nineteenth-century visual culture
Pre-Raphaelite Aesthetic
Pre-Raphaelite Brotherhood
Pre-Raphaelite Project
Protestant realism
RA Exhibition
RA Lecture
RA's Annual Exhibition
RA’s Annual Exhibition
religious
Religious Painting
Religious Subject Matter
Sir George Beaumont
Sketch Pad
subject
Traditional History Painting
True Pre-Raphaelite
Victorian religious art
William Holman Hunt religious painting
Young Man

Product details

  • ISBN 9780754630746
  • Weight: 640g
  • Dimensions: 174 x 246mm
  • Publication Date: 28 Jul 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Painting the Bible is the first book to investigate the transformations that religious painting underwent in mid-Victorian England. It charts the emergence of a Protestant realist painting in a period of increasing doubt, scientific discovery and biblical criticism. The book analyzes the position of religious painting in academic discourse and assesses the important role Pre-Raphaelite work played in redefining painting for mid-Victorian audiences. This original study brings together a wide range of material from high art and popular culture. It locates the controversy over the religious works of the Pre-Raphaelite Brotherhood in debates about academicism, revivalism and caricature. It also investigates William Holman Hunt's radical, orientalist-realist approach to biblical subject matter which offered an important updating of the image of Christ that chimed with the principles of liberal Protestantism. The book will appeal to scholars and students across disciplines such as art history, literature, history and cultural studies. Its original research, rigorous analysis and accessible style will make it essential reading for anyone interested in questions of representation and belief in mid-Victorian England.

Michaela Giebelhausen is a lecturer in the Department of Art History and Theory at the University of Essex, UK.

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