Painting the Novel

Regular price €56.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Jakub Lipski
Age Group_Uncategorized
Age Group_Uncategorized
Animated Portrait
art in fiction analysis
Author_Jakub Lipski
automatic-update
Carlo Maratti
Category1=Non-Fiction
Category=AC
Category=AGA
Category=DS
Category=DSB
Complete Beauty
COP=United Kingdom
De Loutherbourg
Delivery_Pre-order
Discursive Practices
Du Fresnoy
Eighteenth Century English Fiction
Eighteenth Century Fiction
eighteenth-century literature
Elisha Whittelsey
English literary criticism
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Facies Hippocratica
Ferdinand Count Fathom
Fronti Nulla Fides
Gaston De Blondeville
Guido Reni
HathiTrust Digital Library
Homer
Language_English
Narrative Prose Fiction
narrative visuality
PA=Temporarily unavailable
Painterly Parallel
Price_€20 to €50
PS=Active
Sentimental Journey
sister arts theory
softlaunch
Sterne's Text
Sterne’s Text
Strawberry Hill
Turkish Dress
Twisted Woods
Ut Pictura Poesis
visual arts influence on novels
visual culture studies
Yorick's Sentimental Journey
Yorick’s Sentimental Journey

Product details

  • ISBN 9780367667276
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting – a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel".

Jakub Lipski is Assistant Professor in the Department of English, Kazimierz Wielki University, Bydgoszcz. Before obtaining  his PhD in English Literature (University of Warsaw, 2013), he had studied English, Cultural Studies and Art History. He is the author of In Quest of the Self: Masquerade and Travel in the Eighteenth-Century Novel (Brill/Rodopi, 2014) and co-editor of The Enchantress of Words, Sounds and Images: Anniversary Essays on Ann Radcliffe (Academica Press, 2015). His research interests include eighteenth-century English literature and culture, as well as the correspondences between word and image.

More from this author