21st Century
A01=Peter Davidson
Author_Peter Davidson
Category=DCF
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First Collections
Scottish
Product details
- ISBN 9781857549263
- Weight: 91g
- Dimensions: 135 x 216mm
- Publication Date: 24 Apr 2008
- Publisher: Carcanet Press Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Baroque in its extravagance of language, in its delight in the bizarre and the prodigious, Peter Davidson’s collection is a cabinet of curiosities, a world of ruined palaces, ghostly gardens and the fragile marvels of a secret past. It moves between languages and continents, English and Latin, the Spanish Netherlands and Spanish America, the Mediterranean and the north. The title sequence evokes a half-known, half-fantastic, seventeenth century; a shorter sequence transforms contemporary England through the eyes of a spy. The collection ends with a group of elegies and epistles concerned with place and history in northern Scotland. Erudite and witty, The Palace of Oblivion is about remembering and inventing out of memory, and provides haunting visions of decay and splendour.
Cover painting Master of Calamarca, Aziel Timor Dei, arcángel arcabucero, oil on canvas, seventeenth century, Museo Nacional de Arte, Bolivia. Cover design StephenRaw.com.
Cover painting Master of Calamarca, Aziel Timor Dei, arcángel arcabucero, oil on canvas, seventeenth century, Museo Nacional de Arte, Bolivia. Cover design StephenRaw.com.
Peter Davidson was born in Scotland in 1957. He is currently Senior Research Fellow at Campion Hall, University of Oxford. Peter has edited theClarendon Poems and Translations of Sir Richard Fanshawe (Vol I, 1998; II, 1999); the Clarendon anthology of seventeenth-century English poetry, Poetry and Revolution(1998), and (with Jane Stevenson)Early Modern Women's Poetry (2001). He has also published numerous articles and studies of the post-reformation culture of British Catholicism, most recently in the monographThe Universal Baroque (Manchester University Press, 2007). The Last of the Light: about twilight was published by Reaktion in 2015.
