Pan-African Resonance

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A01=Alison Okuda
Accra music culture
African and Caribbean musicians
African Atlantic cultural exchange
African Atlantic migration
African diaspora and identity
African diaspora and migration history
African diaspora and pan-Africanism
African diaspora and popular music
African diaspora communities
African diaspora everyday practices
African diaspora in Accra
African diaspora in London
African diaspora music
African diaspora networks
African diaspora solidarity
African diaspora studies book
African independence era
African independence generation
African music history
African popular culture
African-Caribbean connections
Author_Alison Okuda
Caribbean migration to London
Caribbean music history
Category=AV
diaspora studies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
forthcoming
Ghanaian highlife
interdisciplinary African studies
Kwame Nkrumah
London music spaces
music and migration
Nkrumahism
oral histories of migration
pan-African solidarity
popular music in Ghana
postcolonial music networks
reggae and highlife history
transnational African history
Trinidadian calypso

Product details

  • ISBN 9780821427019
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Aug 2026
  • Publisher: Ohio University Press
  • Publication City/Country: US
  • Product Form: Paperback
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As African and Caribbean nations gained independence from Britain in the 1950s and 1960s, many young musicians, students, and professionals crossed the Atlantic in search of new opportunities and built vibrant communities. Pan-African Resonance: Music, Migration, and Everyday Practice in London and Accra traces these journeys from Ghana, Trinidad and Tobago, Jamaica, Saint Lucia, Barbados, and Guyana, exploring how migrants practiced pan-Africanism through music across continents and generations. Drawing on musical recordings, newspapers, oral histories, and government documents from six countries, Alison Okuda demonstrates that pan-African solidarity thrived through the everyday creation and enjoyment of popular music.

The book unfolds in two parts. Starting in the 1950s, it examines how Ghanaian highlife and Trinidadian calypso brought together musicians and young members of the independence generation, first in London and later in Accra. Even amid cultural tensions, Ghanaian and Caribbean communities expressed aspirations for freedom and unity in nightclubs, recording studios, private homes, and public streets. Before Ghana’s 1966 coup d’état, Ghanaians and diasporic Africans collaborated to shape an independent African-Atlantic world. Although the coup disrupted formal Pan-Africanist organizing, in the second part of the book Okuda shows that in the 1970s a new generation sustained dynamic networks of solidarity through highlife, reggae, and other popular styles-heard in recordings, radio broadcasts, live performances, and community events.

Influenced by generational change and musical fluidity, African-diasporic unity has remained central to popular music, migration, and politics in Ghana and the wider African-Atlantic world into the twenty-first century. Offering a rich interdisciplinary approach, Pan-African Resonance will appeal to readers interested in popular culture, transnational history, diaspora studies, and modern African history.

Alison Okuda is an associate professor of history at Worcester State University. She has published in Ghana Studies, African and Black Diaspora, and the African Studies Review, where her article "Black Power, Raw Soul, and Race in Ghana" won the Outstanding Article Prize from the Association for the Study of the Worldwide African Diaspora.

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