Paradise Lost and the Making of English Literary Criticism

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A01=David A. Harper
Author_David A. Harper
Category=DC
Category=DSB
early modern criticism
epic poetry analysis
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Jonathan Swift
literary reception theory
Milton
origins of English literary criticism
Paradise Lost
Patrick Hume
political theology
reception studies
Restoration editing
Restoration literature
Restoration politics
Shakespeare
textual annotation

Product details

  • ISBN 9781032633428
  • Weight: 360g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 May 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Paradise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with the prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.

David A. Harper is the former Professor and Head of the Department of English and Philosophy at the U.S. Military Academy, West Point. He is now teaching in the Department of English and Related Literature at the University of York, UK.

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