Parallel Lives

Regular price €17.50
20th century
A01=Iain Pears
academia
aristocracy
art history
art theft
art world
Author_Iain Pears
biography
Category=DNBH
Category=DNXP
Category=NHD
Category=NHTB
Cold War
cross-cultural romance
cultural clash
cultural identity
England
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
espionage
Europe
European history
exile
forbidden love
forgery
forthcoming
historical fiction
intellectual history
international relations
Iron Curtain
Leningrad
love story
memoir
romance
Russia
Soviet Union
Venice
wartime survival

Product details

  • ISBN 9780008629007
  • Weight: 270g
  • Dimensions: 129 x 198mm
  • Publication Date: 07 May 2026
  • Publisher: HarperCollins Publishers
  • Publication City/Country: GB
  • Product Form: Paperback
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This is the simplest tale in the world. Two people meet and fall in love. But the route which brought Larissa Salmina and Francis Haskell to a backstreet Venetian restaurant in 1962 was anything but straightforward.

Larissa was born in northern Russia, the daughter of a Soviet army officer from a noble family who survived the siege of Leningrad by eating cats’ tails and being evacuated over the ice. Francis was the grandson of an Iraqi Jew, forever feeling out of place in his adopted country of England. How they could meet and instantly understand each other so profoundly that both were prepared to risk heartbreak, and in her case, retribution, to be together is the story of this book.

Escaping Leningrad, teenage Larissa lived in the Urals surrounded by Spanish revolutionaries, went feral and after the war rose to become the youngest Commissar in the Soviet Union and Keeper of Italian Drawings at the Hermitage. She took the Russian contribution to the Venice Biennale in 1962 and lost it on the journey. She briefly absconded with her supervisor’s corpse, developed a useful sideline in forgery, and stole (“I didn’t steal it. I liberated it”) a Matisse from the Italian government. She was a trained connoisseur and could spot a Tiepolo at 100 yards.

Francis was a distinguished art historian, comfortably at home in King’s College Cambridge. But he was lonely, self-doubting and had all but abandoned hope of falling in love, or finding anyone who could love him. Larissa swept away all the years of anguish in one meal. Bestselling novelist and art historian Iain Pears’ fabulous book brings into sharp focus the strange world of the Soviet Union, and the even stranger world of a certain variety of the English elite. It seeks to show how leaving the Soviet Union was a sacrifice for her and how it was the English man, not the Russian woman, who was set free because of their meeting.

Iain Pears knew both his principal characters well. His book is a story of Europe; not the Europe of geographical and ideological divisions but of a certain mentality which was common to a few on both sides of the Iron Curtain. Whatever their differences in nationality, language, and politics, both Larissa and Francis were members of a unified, pan-European culture which paid little heed to the divisions which so pre-occupied most people of the age. It also operated by very different rules and values to the societies in which they existed. It was a world of dancers, exiles, and the occasional spy, of artists, aristocrats, and academics. It consisted of people who only felt safe when they were away from home, were comfortable only in the company of foreigners. It is a tale of a world we seem to have lost.

Iain Pears is the author of the bestsellers An Instance of the Fingerpost, The Dream of Scipio, Stone’s Fall, and Arcadia, and a novella, The Portrait, as well as a series of acclaimed detective novels, a book of art history, and countless articles on artistic, financial and historical subjects. He lives in Oxford, England.