Paris and the Musical

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adaptation in performing arts
adaptation theory
American in Paris
Angela Lansbury
Apache Dance
Arc De Triomphe
Broadway
Broadway musicals
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City Of Light
Cole Porter
cultural representation studies
cultural studies
Dear World
Die Lustige Witwe
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France
Funny Face
Gay Shame
gender and sexuality in musicals
Gigi
Hollywood
interdisciplinary study of Parisian musicals
Irene Bordoni
La Belle
La Cage Aux Folles
Le Chat Noir
Love Parade
Merry Widow
Miserables
Miss Liberty
Moulin Rouge
musical theatre
musical theatre historiography
Napoleon III
Notre Dame De Paris
Paris Fashion Industry
Paris musicals
performance studies analysis
Rue De La Paix
Silk Stockings
sociological perspectives on stage musicals
Sunday in the Park
Typical Montage Sequences
Viennese Operetta
Vincente Minnelli
West End
West Germany
Young Man

Product details

  • ISBN 9781138611061
  • Weight: 930g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries.

From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’.

The interdisciplinary nature of this collection renders it as a fascinating resource for a wide range of courses; it will be especially valuable for students and scholars of Musical Theatre and those interested in Theatre and Film History more generally.

Olaf Jubin is Professor of Musical Theatre and Media Studies at Regent’s University London. He has written, co-written and co-edited several books on popular culture, including British Musical Theatre since 1950, The Oxford Handbook of the British Musical and the forthcoming The Oxford Handbook of the Global Stage Musical.