Park Avenue Cubists
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A01=Robert S. Lubar
Abstraction
Allison Unruh
American abstract art
American abstract artists group study
American Abstract Painters
American Scene Painting
April Richon Jacobs
Ariadne Auf Naxos
Arshile Gorky
Art
art criticism history
Art Students League
Author_Robert S. Lubar
Avenue
Berkshire Mountains
Braque
Category=ABA
Category=AGA
Cesar Domela
Constantin Brancusi
Cristin Tierney
Cubist Structure
Cubists
De Kooning
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European influence in art
Georges Braque
Gregory Galligan
John Reed Clubs
Juan Gris
Kelly Sidley
Late Cubism
Leah Rosenblatt
Marcelle Polednik-Kammerman
modernist movements
Morris House
Morris's Assertions
Philadelphia Museum
Piet Mondrian
Raoul Dufy
Shaw's Work
Synthetic Cubist
Theodore Frelinghuysen
Tiffany H. Sprague
twentieth-century painting
visual experimentation
Yale College
Product details
- ISBN 9781138719293
- Weight: 453g
- Dimensions: 220 x 259mm
- Publication Date: 08 Dec 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This title was first published in 2002. The Park Avenue Cubists explores the work of a group of American artists committed to the belief that American abstraction could make a unique contribution to the evolution of the visual experiments begun by the European Modernists. All were inspired by the work of Braque, Picasso, Gris and Leger which they witnessed at first hand during repeated trips to Paris. Dubbed the 'Park Avenue Cubists' for the wealth and social status that enabled them to promote their own work and patronise that of their fellow members of the American Abstract Artists (AAA), the group included Albert Eugene Gallatin, George L.K. Morris, Suzy Frelinghuysen and Charles G. Shaw. Featuring essays by Debra Bricker Balken and Robert S. Lubar on the group's place in the history of modern art, along with individual studies of the four artists and an appendix bringing together the key statements written by the artists themselves, this volume provides the first in-depth study of the group.
Robert S. Lubar, Debra Bricker Balken
