Participatory Theatre and the Urban Everyday in South Africa

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A01=Alexandra Halligey
Africa Urban
Austin's Speech Act Theory
Austin’s Speech Act Theory
Author_Alexandra Halligey
Building Subjectivity
Built Environment Faculty
Category=ATD
Category=JBSD
city placemaking strategies
Collegiate Participation
Corporate Ceo
Creative Theatrical Process
embodied performance studies
Ensemble Nature
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fictive Play World
Final Artistic Product
Henk Borgdorff
Johannesburg
material artistic practices
Object Orientated Ontologists
Official Public Performance
Participation Africa
Participatory Public Art
participatory research methods
participatory research practices
performance games
performance-based urban research
Performative Performances
Public Art
Public Art Performance
qualitative urban inquiry
Resident Social Worker
Site Specific Performance
site-specific theatre
Social Science Research
South Africa
South Africa Cities
spatial practice analysis
Spatio Temporal Event
Spaza Shops
Synne Behrndt
Theater Africa
Theatre Africa
Theatre Audience
Urban Africa
urban cultural geography
Urban Participation
urban spatial theory
Urban Theater
Urban Theatre
Van Wijnendaele

Product details

  • ISBN 9781032082165
  • Weight: 267g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Aug 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores theatre and performance as participatory research practices for exploring the everyday of the city.

Taking an inner-city suburb of Johannesburg, South Africa as its central case study, the book considers how theatre and performance might be both useful practical tools in considering the everyday city, as well as conceptual lenses for understanding it. The author establishes an understanding of space as ever evolving and formed through the ongoing relationship between things, human and non-human, and considers how theatre and performance offer useful paradigms for learning about and working with city spaces. As ephemeral, embodied, material artistic practices, theatre and performance mirror the nature of everyday life. The book discusses theatre and performance games and placemaking processes as offering valuable ways of discovering daily acts of place-making and providing insights that more conventional research methods may not allow. Yet the book also considers how seeing daily city life as a kind of performance, a kind of theatre in its own right, helps to further understandings of city spaces as ever evolving through complex webs of relationships.

This book will be of interest to academics, academic practitioners and post-graduate students in the fields of theatre and performance studies, urban studies and cultural geography.

Alexandra Halligey is a Post-Doctoral Fellow with the South African Research Chair in Spatial Analysis and City Planning, within the School of Architecture and Planning at the University of Witwatersrand, South Africa. The fellowship is funded by South Africa’s National Research Foundation.

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