Party Hegemony and Entrepreneurial Power in China

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A01=Elena Meyer-Clement
adaptive governance
Adaptive Informal Institutions
administrative control mechanisms
Audio Visual Products
Audio Visual Publishing
Author_Elena Meyer-Clement
bureau
Category=GTM
Category=JBCC1
Category=JHB
Category=JPWC
Category=KC
Category=NH
CCP Cadre
CCP Central
CCP Central Committee
CCP Ideology
CCP Leadership
CCP Propaganda
CCP Rule
China's WTO Accession
China’s WTO Accession
chinese
Chinese cultural policy
Chinese Film
Chinese Music Industry
cinema
companies
copyright regime China
Cui Jian
cultural industries marketisation case studies
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
Film Bureau
industries
Mao Zedong
Mobile Music Market
music
Party State Actors
political censorship China
Political Ideological Control
private
Private Film Companies
Private Film Producers
Private Production Companies
Private Record Companies
Private Sector Development
private sector influence
producer
record

Product details

  • ISBN 9781138482579
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Economic liberalisation processes and the rapid development of the private sector are widely visible signs of over thirty years of reform policies in the People’s Republic of China. Nevertheless, the Chinese Communist Party (CCP) has managed to preserve the basic political institutions of the Leninist Party-state, including its own unrestrained position of political power. Against this background, this book investigates the interrelationship between processes of marketisation and commercialisation, and the stability of the CCP regime.

The aim of the book is to complement existing literature on adaptive governance in China and on the reasons for the CCP regime’s relative stability, while providing new information about the relationship between the Chinese party-state and private entrepreneurs. Taking case studies from the film and music industries, the book gives a detailed account of the political and economic history of these industries in China, with special attention given to the role played by private production companies as intermediaries between artistic creation, political and ideological constraints, and the market. A historical institutionalist approach is employed to trace the effect of Chinese policies on popular culture and the institutions of administrative, economic, political and ideological control over the film and music industries back to the 1950s, revealing the mechanisms and prospects of CCP hegemony in the cultural sector.

Examining the effects of the marketisation and commercialisation processes on the communist regime and vice versa, this book also offers a fresh perspective on the origins of today’s Chinese popular cultural mainstream. It will therefore be of great interest to students and scholars of Chinese politics, Chinese culture and media and Chinese government-business relations.

Elena Meyer-Clement is a research fellow at the German research network "Governance in China" and teaches Chinese politics and society at the University of Tübingen, Germany. Her research focuses on Chinese cultural politics, the private sector, local governance and urbanisation.

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