Passion Story

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Adele Reinhartz
art
Category=AGR
Category=DSG
Category=QRM
Christianity
Christopher Fuller
crucifixion
culture
David Morgan
David Nirenberg
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
faith
history
imagery
James Marrow
Jesus Christ
Jews
Jody Enders
Judaism
Kupfer
Lisa Saltzman
Marc Saperstein
media
Miri Rubin
New Testament
piety
religion
Robin Blaetz
social drama
Stephen Campbell
story
the Passion
theology
visual representation
Walter Melion

Product details

  • ISBN 9780271033075
  • Weight: 1193g
  • Dimensions: 178 x 254mm
  • Publication Date: 03 Oct 2008
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
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No story is more central to Western culture than the crucifixion of Jesus Christ in the New Testament, and none better demonstrates the power of representation in shaping religious faith and practice. The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ’s suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The provocative essays collected here, written by eminent scholars with an eye toward the nonspecialist reader, broadly survey the depiction and dramatization of the Passion and consider the significance of this representational focus for both Christians and Jews. This anthology provides a unique, multifaceted overview of a subject of enduring importance in today’s religiously pluralistic societies.

Contributors include Robin Blaetz, Stephen Campbell, Jody Enders, Christopher Fuller, James Marrow, Walter Melion, David Morgan, David Nirenberg, Adele Reinhartz, Miri Rubin, Lisa Saltzman, and Marc Saperstein.

Marcia Kupfer is an independent scholar. She is the author of The Art of Healing: Painting for the Sick and the Sinner in a Medieval Town (Penn State, 2003) and Romanesque Wall Painting in Central France: The Politics of Narrative (1993).