Patronage and Italian Renaissance Sculpture

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Andrea Bregno
Andrea Del Verrocchio
Antonio Del Pollaiuolo
Antonio Rossellino
art history research
Artist Patron Relationship
Bernardo Bembo
Bernardo Rossellino
Category=ABQ
Category=AFKB
Category=AGA
Cosmatesque Pavement
Dante Portrait
David G. Wilkins
David J. Drogin
Debra Pincus
Desiderio Da Settignano
Domenico Di Michelino
Duomo Pulpit
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equestrian
Equestrian Monuments
Florentine Sculptors
Florentine Tuscany
Francis Ames-Lewis
funerary monuments Italy
humanist influence
Italian Renaissance Sculpture
Kathleen Wren Christian
Michelangelo Donatello Giambologna analysis
Mino Da Fiesole
monuments
Opera Del Duomo
Palazzo Della Ragione
Palazzo Della Signoria
Piazza Della Signoria
Pisa Baptistery
Pope Paul III
quattrocento sculpture
Renaissance art patron relationships
Robert W. Gaston
Roger J. Crum
Sarah Blake Mcham
Shelley E. Zuraw
Siena Duomo
social context of Italian sculpture
Villa Giulia
William E. Wallace

Product details

  • ISBN 9780754668428
  • Weight: 861g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 Nov 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.

Kathleen Wren Christian is an Assistant Professor in History of Art and Architecture at the University of Pittsburgh, USA.

David J. Drogin is an Assistant Professor in the History of Art Department at the State University of New York, F.I.T., USA.