Patrons and Patron Saints in Early Modern English Literature

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A01=Alison Chapman
Author_Alison Chapman
Bartholomew Cokes
Bartholomew Fair
Category=DSB
Category=N
Category=QRAX
Category=QRM
Catholic Saints
Crispin Crispian
David's Day
David’s Day
Early Modern
early modern patronage
Edward III
Edward King
English Renaissance literature
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eq_biography-true-stories
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eq_non-fiction
Faerie Queene
Genius Loci
hagiography studies
History
Home Town
Irish Saints
KING HENRY
Literature
Livery Companies
Ludlow Castle
medieval Catholic influence
Medieval Saints
Michael's Mount
Michael’s Mount
Patron
Patron Saint
patronage and sainthood in English texts
Piers Gaveston
Protestant literary culture
Religion
religious hierarchy analysis
Research
Royal Touch
Saintly Patronage
Sublime Perfection
Tutelary Spirits
Verse Epistles
Vice Versa
Virgin Martyr

Product details

  • ISBN 9781138118591
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.

Alison Chapman is Associate Professor of English at the University of Alabama at Birmingham, US.

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