Pattern and Chaos in Art, Science and Everyday Life

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A01=Sarah Horton
A01=Victoria Mitchell
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apophenia
Author_Sarah Horton
Author_Victoria Mitchell
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Category1=Kids
Category1=Non-Fiction
Category=AGZ
Category=UYQP
Category=YPMP
Category=YQS
Chaos Theory
collage
COP=United Kingdom
critical discourse
Deleuze and Guattari
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eq_art-fashion-photography
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eq_nobargain
eq_non-fiction
interdisciplinary
Language_English
PA=Available
pattern-chaos
Price_€100 and above
process
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rhythm
softlaunch
stochastic

Product details

  • ISBN 9781789388718
  • Dimensions: 170 x 244mm
  • Publication Date: 08 Dec 2023
  • Publisher: Intellect
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This collection explores critical and visual practices through the lens of interactions and intersections between pattern and chaos. The dynamic of the inter-relationship between pattern and chaos is such as to challenge disciplinary boundaries, critical frameworks and modes of understanding, perception and communication, often referencing the in-between territory of art and science through experimentation and visual scrutiny. A territory of 'pattern-chaos' or 'chaos-pattern' begins to unfold.

Drawing upon fields such as visual culture, sociology, physics, neurobiology, linguistics or critical theory, for example, contributors have experimented with pattern and/or chaos-related forms, processes, materials, sounds and language or have reflected on the work of other artists, scientists and scholars. Diagrams, tessellations, dust, knots, mazes, folds, creases, flux, virus, fire and flow are indicative of processes through which pattern and chaos are addressed.

The contributions are organized into clusters of subjects which reflect the interdisciplinary terrain through a robust, yet also experimental, arrangement. These are 'Pattern Dynamics', 'Morph Flux Mutate', 'Decompose Recompose', 'Virus; Social Imaginary' and 'Nothings in Particular'.

Victoria Mitchell is Research Fellow at Norwich University of the Arts. She has published papers on various aspects of art, design and textile culture, pursuing an interdisciplinary theoretical approach which focuses on material, making, metaphor and meaning, and is co-editor of The Material Culture of Basketry (Bloomsbury, 2020), for which she wrote on pattern in the context of braiding and dancing.

Dr Sarah Horton is an artist-researcher whose practice includes sculpture, drawing and painting often resulting in site-specific artwork. Her doctorate ‘Decoration: Disrupting the workplace and challenging the work of art’ indicates an ongoing interest in the way pattern, decoration and ornament is used in fine art and in a wider sense to indicate value and identity.

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