Patterns of Religious Narrative in the Canterbury Tales

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13th century literature
14th century literature
A01=Roger Ellis
Author_Roger Ellis
Book III
canterbury tales
Category=DSBB
Category=N
chaucer christianity
chaucer religion
clerk's tale
Clerk’s Tale
De Casibus
De Claris Mulieribus
De Miseria
Dead Man
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
faithful translation
faithful transmission
Franklin's Tale
Franklin’s Tale
friar's tale
geoffrey chaucer
Group Iii
Hero's Journey
Hero’s Journey
knight's tale
Law's Tale
Law’s Tale
Litel Clergeon
literary authority
literature religion
medieval literature
medieval literature analysis
medieval poetry
middle english literature
Middle English texts
miller's tale
Monk's Narrative
Monk's Tale
Monk’s Narrative
Monk’s Tale
narrative mediation in Chaucer tales
narrative voice studies
Nun's Priest
Nun's Priest's Tale
Nun's Tale
Nun’s Priest
Nun’s Priest’s Tale
Nun’s Tale
pardoner's tale
Pardoner’s Tale
Physician's Tale
Physician’s Tale
Pilgrimage Narrative
Pope Innocent Iii
Prioress's Tale
Prioress’s Tale
religious narratives
religious storytelling
translation theory
wife of bath
Wyde World
Young Men

Product details

  • ISBN 9780367357467
  • Weight: 385g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1986. This study asks ‘What problems confront the narrator of a religious story?’ and ‘What different solutions to those problems are offered by the religious narratives of The Canterbury Tales?’ The introduction explains the grounds for inclusion of the tales here studied then examined in three sections. The first includes the tales of the Clerk, Prioress and Second Nun, and Chaucer’s Melibee, and explores the parallels between the production of a religious narrative and that of a faithful translation. The second considers how the tales of the Man of Law, Monk and Physician, though formally similar to those in the first section, subvert the offered parallel by their creation of narrators who actively mediate them to their audience, and who seem as concerned with the projection of their own personalities as with the transmission of the given story. The final section shows how the tales of the Pardoner and Nun’s Priest highlight the dilemma and provide distinctive resolutions. The whole study aims to explore the dynamic relationships that exist between two contrasting positions: an artist’s commitment to the authority of a given story and his need to assert himself over it.

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