Peerless
Regular price
€34.99
A01=Kurt Jensen
African American
Armenia
Author_Kurt Jensen
biography
Broadway
Carousel
Category=ATD
Category=ATFA
Category=ATY
Category=DNBF
Cleopatra film
Dr. Jekyll and Mr. Hyde
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
genius
Gershwins
Hollywood
iconoclast
Laura
Lost in the Stars
Love Me Tonight
musicals
Oklahoma!
opera
Oscar Hammerstein
Porgy and Bess
rhythmic movement
Silk Stockings
Product details
- ISBN 9780299348205
- Weight: 626g
- Dimensions: 152 x 229mm
- Publication Date: 07 May 2024
- Publisher: University of Wisconsin Press
- Publication City/Country: US
- Product Form: Hardback
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A proud Armenian who claimed a distant link to nobility, born in what was then part of czarist Russia, Rouben Mamoulian (1897–1987) became one of the most astonishing and confounding directors of American film and theater, directing the original stage productions of Porgy and Bess, Carousel, and Oklahoma!, as well as films including Love Me Tonight, Queen Christina, City Streets, and Silk Stockings. He was famously fired from the film version of Porgy and Bess in a dispute over publicity, and quit Cleopatra after arguments over a single scene. His iconoclastic self-confidence was high among the reasons he had a reputation for being unable to compromise.
This frustrating mix of genius and stubbornness, of critical successes and financial flops, has proven challenging for biographers. Any examination of Mamoulian’s life must explore film, theater, and music history, while being conscious of the racial culture in both American society and the world of entertainment during the mid-twentieth century. Kurt Jensen’s magisterial volume, extensively researched and filled with trenchant observations, brings to life this charming, flawed, and fascinating man.
With lived-in details and surprising revelations, Jensen fleshes out the contours of a remarkable life. Drawing upon Mamoulian’s unfinished memoir and voluminous diaries, as well as interviews with the director’s surviving collaborators, he delivers fresh and informative insider stories from seminal productions. Meanwhile, he explores Mamoulian’s aesthetic principles and strategies as manifested in lighting, choreography, and sound design. Jensen reveals Mamoulian’s mercurial confidence and autocratic tendencies at the height of his power, demonstrating how the wellspring of his art contained the seeds of his own destruction. A tour de force, Peerless offers readers a multifaceted, in-depth look at an idiosyncratic genius.
This frustrating mix of genius and stubbornness, of critical successes and financial flops, has proven challenging for biographers. Any examination of Mamoulian’s life must explore film, theater, and music history, while being conscious of the racial culture in both American society and the world of entertainment during the mid-twentieth century. Kurt Jensen’s magisterial volume, extensively researched and filled with trenchant observations, brings to life this charming, flawed, and fascinating man.
With lived-in details and surprising revelations, Jensen fleshes out the contours of a remarkable life. Drawing upon Mamoulian’s unfinished memoir and voluminous diaries, as well as interviews with the director’s surviving collaborators, he delivers fresh and informative insider stories from seminal productions. Meanwhile, he explores Mamoulian’s aesthetic principles and strategies as manifested in lighting, choreography, and sound design. Jensen reveals Mamoulian’s mercurial confidence and autocratic tendencies at the height of his power, demonstrating how the wellspring of his art contained the seeds of his own destruction. A tour de force, Peerless offers readers a multifaceted, in-depth look at an idiosyncratic genius.
Kurt Jensen has been a film reviewer and news writer for several Catholic publications, and his contributions have been published in Studies in Musical Theatre and the Los Angeles Review of Books.
