People We Watch

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A01=Emily Coleman
Author_Emily Coleman
Capitalism
Casting
Category=ATFR
Category=JBCC1
Category=JBCT2
Category=JHBL
Category=KNTC
Category=NH
Category=NHTB
Creative industries
creative labour studies
Cultural industries
Cultural labor
Cultural labour
Documentary
Documentary contributors
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fly-on-the-wall
Media ethics
media participation
media representation ethics
participant experience in documentaries
Participation
qualitative interviews
sociology of media production
television industry analysis
TV
Working practices

Product details

  • ISBN 9781032941035
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Mar 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The People We Watch explores the politics of contemporary media production from the point of view of the ordinary people it represents.

Based upon a series of in-depth interviews and the author’s own professional experience of working in the television industry, this book examines how documentary contributors feel about participating in the media and the ways they are portrayed, considering how their experiences take shape within the structural context of the cultural industries.

This insightful text will interest scholars, students, and researchers in media and communication, sociology of the media, documentary studies, and film studies, as well as those studying the cultural industries, media production, creative labour, and cultural policy.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 International license.

Any third party material in this book is not included in the OA Creative Commons license, unless indicated otherwise in a credit line to the material. Please direct any permissions enquiries to the original rightsholder.

This work was supported by the Arts and Humanities Research Council [grant number AH/L503848/1]; and the Economic and Social Research Council [grant number ES/Y007808/1].

Emily Coleman is a postdoctoral fellow at King’s College London, whose research has been supported by both the Arts and Humanities Research Council and the Economic and Social Research Council. Previously, she worked in the TV industry for over 15 years, producing and directing factual programmes and documentaries for the BBC, ITV, Channel 4, Channel 5, and Sky.

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