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Perdita
Perdita
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A01=Dylan Riley
Adorno
Age Group_Uncategorized
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Author_Dylan Riley
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Beginners
Being
Boyer
Cancer
Category1=Non-Fiction
Category=BM
Category=DNC
Category=DNF
Category=DNL
Category=VFJX
Civilization
COP=United Kingdom
Delivery_Pre-order
Didion
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eq_biography-true-stories
eq_health-lifestyle
eq_isMigrated=2
eq_nobargain
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Eros
Feelings
Goodbye
Hattrick
Ill
Illness
Journals
Language_English
Lefebvre
Lorde
Magical
Marcuse
Metaphor
Moralia
One-Dimensional
PA=Available
Price_€10 to €20
PS=Forthcoming
psychoanalysis
softlaunch
Sontag
Thinking
Woolf
Year
Product details
- ISBN 9781804296080
- Weight: 250g
- Dimensions: 140 x 210mm
- Publication Date: 29 Oct 2024
- Publisher: Verso Books
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
"Our marriage was, from any conventional point of view, wildly implausible; and you, my dear son, are the miraculous product of this beautiful, rather crazy, and all too brief love affair." When Dylan Riley received the devastating news that his wife, Emanuela, had cancer, he turned to writing to express the anguish and disarray brought by her worsening symptoms and then her passing. Perdita, composed for their teenage son, Eamon, is the result of this attempt to represent loss. It is at once a portrait of youth, a lyrical memoir of a marriage, and a raw and moving account of bereavement.
Riley describes cancer, Perdita's central antagonist, as a pitiless opponent, draining hope of its power and reducing it to self-delusion. Its course forces a progressive foreshortening of time. Next year might be terrible, but there can be a few good months now; tomorrow will likely be bad, but let's focus on today.
In this memoir, the disease provokes a broader set of reflections on the openness, contingency, and pain of the human condition, a status defined by the context of mortality, both our own and that of those we love.
Riley describes cancer, Perdita's central antagonist, as a pitiless opponent, draining hope of its power and reducing it to self-delusion. Its course forces a progressive foreshortening of time. Next year might be terrible, but there can be a few good months now; tomorrow will likely be bad, but let's focus on today.
In this memoir, the disease provokes a broader set of reflections on the openness, contingency, and pain of the human condition, a status defined by the context of mortality, both our own and that of those we love.
Dylan Riley was born in Louisville, Kentucky in 1971 and teaches sociology at the University of California, Berkeley. His other books are Microverses: Observations from a Shattered Present and The Civic Foundations of Fascism in Europe.
Perdita
€21.99
