Performance: A Critical Introduction

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A01=Marvin Carlson
Affect
Agency
anthropological approaches
Anthropology
Author_Marvin Carlson
Ballerina
Big Apple Circus
Category=AB
Category=AFKP
Category=ATD
Cirque Du Soleil
Deborah Hay
Dense
Early Performance Art
Eleanor Antin
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethnographic methods
Ethnography
Feminist Performance
Framing
Guerrilla Girls
identity politics research
Intercultural
Jacki Apple
Liminality
Literary Speech Act
Liveness
Make Up
Modern Performance
Modern Performance Art
Modern Performance Theory
Performance Art
performance theory frameworks
Performativity
Post-modern Dance
Postdramatic Theatre
Postmodern Dance
postmodern theory
Psychoanalysis
Psychodrama
Restored Behavior
Ringling
Schneemann
Semiotics
sociological analysis
Spectacle
Speech Act
Speech Act Theory
Split Britches
Strategic Essentialism
visual arts context

Product details

  • ISBN 9781138281677
  • Weight: 730g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Since its original publication in 1996, Marvin Carlson's Performance: A Critical Introduction has remained the definitive guide to understanding performance as a theatrical activity. It is an unparalleled exploration of the myriad ways in which performance has been interpreted, its importance to disciplines from anthropology to linguistics, and how it underpins essential concepts of human society.

In this comprehensively revised and updated third edition, Carlson tackles the pressing themes and theories of our age, with expanded coverage of :

  • the growth and importance of racial and ethnic performance;
  • the emergence of performance concerned with age and disability;
  • the popularity and significance of participatory and immersive theatre;
  • the crucial relevance of identity politics and cultural performance in the twenty-first century.

Also including a fully updated bibliography and glossary, this classic text is an invaluable touchstone for any student of performance studies, theatre history, and the performing and visual arts.

Marvin Carlson is Sidney E. Cohn Professor of Theatre, Comparative Literature and Middle Eastern Studies at the Graduate Center of the City University of New York, USA. Among his books are Theories of the Theatre and The Haunted Stage.

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