In stock

Performance and Performativity of Dalit Students Politics in India

Regular price €192.20
Quantity:
Ships in 2-4 days
Delivery/Collection within 2-4 working days
14 days return policy Shipping & Delivery
A01=Malavika Priyadarshini Rao
Ambedkarite aesthetics
Author_Malavika Priyadarshini Rao
caste-based activism
Category=AFKP
Category=ATD
Category=GTM
Category=JPWG
Dalit resistance performance practices
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
folk performance traditions
Hindu mythology
marginalised identities India
Performance
performance practices
performance studies
political movement
Politics
qualitative protest analysis
student activist performance practices
student protest
student protest movements
theatre studies

Product details

  • ISBN 9781032613925
  • Weight: 450g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book examines the significance of body, space, sound/voice/music and objects of resistance in everyday performance of Dalit student protests, focusing on the protests which erupted after Rohith Vemula, a Dalit PhD student, died,by suicide in Hyderabad Central University on 17 January 2016 in Hyderabad, India.

Rohith’s death sparked national and international outrage and led to the shutdown of the University for over a month and gave rise to the ‘Justice for Rohith movement’, which continued for over a year. Rohith’s death became a symbolic representation of other Dalit deaths due to systemic caste violence; the symbolism of his death expanded to include other marginalised groups who have faced systemic violence historically. The author highlights five distinct aesthetics prominent in Dalit student activist performance practices: (1) folk performance traditions; (2) counter-interpretation and representation of Hindu mythology and Hinduism; (3) inspiration from Ambedkar and Buddhist iconography; (4) Christian church hymns; and (5) the text of Rohith’s last letter.

In each chapter, the book explores how protesters draw on aesthetics and strategies from other political movements. This book will be of great interest to students and scholars in theatre and performance studies.

Malavika Priyadarshini Rao is an Assistant Professor at Christ Deemed to be University, Bangalore.

More from this author