Performance and Politics in a Digital Populist Age

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A01=Cami Rowe
affective politics analysis
Agonistic Engagement
Agonistic pluralism
Alfred Wolfsohn
Applied Theatre
Applied Theatre Practice
Applied Theatre Practitioners
Applied Theatre Work
Author_Cami Rowe
Category=JB
Category=JHB
Category=JPA
Category=JPS
Category=JPWC
Chantal Mouffe
Confer
Corporeal presense
democratic engagement studies
digital democracy research
Digital meditisation
Digital Populist
Digitally Mediated
Disengaging
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Forum Theatre
Grassroots Political Movements
Haptic Encounters
interactive theatre methods
Jeremy Corbyn
Left populism
performative populism in digital media
Personas
Political Interaction
political performance theory
Populist Interactions
Populist Leaders
Puppet Theatre
radical democracy scholarship
Schumann's Bread and Puppet Theatre
Schumann’s Bread and Puppet Theatre
Social Bots
Vice Versa
Young Man

Product details

  • ISBN 9780367424381
  • Weight: 510g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book re-evaluates the role of performance in global politics in the face of populism and the digital mediatisation of political interactions. As political communications are increasingly conducted in online environments,‘post-truth’ performances become evermore central to democratic processes. It is therefore essential to reconsider the political potency of performance and theatricality in order to effectively reinvigorate democracy in the 21st century. Drawing on applied theatre practices, this book shows that performance is inherently concerned with cooperative and collaborative encounters across difference, and performance might therefore support effective responses to digital populism. The analysis addresses the performative aspects of populist political movements in the United States and United Kingdom. The chapters engage with aspects of performance and theatricality not commonly broached in IR scholarship, including interpersonal engagement, creative embodiment and interactive affect, making the case for the importance of these features to democratic engagement. This book resonates with recent debates regarding the relevance and treatment of Arts and Performance as IR subjects, methodologies and practices, and will be of interest to scholars and students of global politics, international relations, performance studies, radical democracy, and mass communication and culture.

Cami Rowe works across the disciplines of Theatre, Performance and International Politics. She holds research degrees in International Politics and Theatre. Based at the Lancaster Institute for the Contemporary Arts, her research addresses the theatrical elements of global politics and the efficacy of performance interventions.

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