Performance, Art, and Politics in the African Diaspora

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A01=Myron Beasley
A01=Myron M. Beasley
Achille Mbembe
African American Burial Grounds
African diaspora
Africana
Anti-black Discourses
art and politics
art criticism
art history
artists
Author_Myron Beasley
Author_Myron M. Beasley
biopower
black cultural production
Black Female Body
Butcher Paper
Cargo Boxes
Category=ABA
Category=AFKP
Category=AGA
Category=ATD
Category=GTM
Category=JBCC1
Category=JBSL
Category=JHB
Category=JHMC
Category=NHH
Category=NHK
Category=NHTQ
Category=NHTS
Clean Slates
Cobbled Stone
Confederate Monuments
contemporary black performance art
critical race theory
cultural politics
cultural studies
cultural workers
Dakar Biennale
death
diaspora
Ebony Patterson
economics
En Mas
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Foucault
Frantz Fanon
Front Line Defenders
Fuel Oil Power Plant
Gabon
Georgia Historical Society
Giscard Bouchotte
globalization
Haiti
International Monetary Fund
Jamaica
Jelili Atiku
Lenox Avenue
Mami Wata
Mbembe's Concept
Mbembe’s Concept
Nathalie Anguezomo Mba Bikoro
National Criminal Justice System
necropolitics
New York City
Nigeria
Nona Faustine
performance
performance art
performance studies
postcolonial studies
ritual performance analysis
Round Table
Round Table Conference
September 11
Simone Leigh
slavery
social justice activism
TeleGhetto
the black body
theory
trans-Atlantic Slave Trade
Transatlantic Slave Trade
Trinidad
Tweed Courthouse
visual culture research
White Shoes
Willow Tree

Product details

  • ISBN 9780367136925
  • Weight: 260g
  • Dimensions: 138 x 216mm
  • Publication Date: 29 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines necropolitics and performance art, with a particular focus on the black body and the African diaspora.

In this book, Myron M. Beasley situates artists as cultural workers and theorists who illuminate the political linkages between their own and others’ specific locales. The focus is an interrogation of the political systems that dictate and determine the value of lives (and decide which lives matter) through a lens of performance and art. Beasley highlights how the performances of rupture, which are of artistic, and historical significance, reveal both strategies of survival and promises of possibility. Artists and curators examined include Jelili Atiku, Giscard Bouchotte, Nona Faustine, Vanessa German, Simone Leigh, Nathalie Anguezomo Mba Bikoro, Ebony G. Patterson, and Dianne Smith.

The volume is an ideal research and reference book for students and scholars of Contemporary Art, African Studies, and Performance Theory.

Myron M. Beasley is Associate Professor of American Studies and Gender and Sexuality Studies at Bates College.

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