Performance Art in the Second Public Sphere

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Adam Czirak
Amy Bryzgel
Andrej Mirv
Angelika Richter
Be Hock
Belgrade Drama Theatre
Berenika Szymanski-Dull
Bloc
Bourgeois Public Sphere
Category=AFKP
Category=AGA
Category=NHD
Cold War cultural studies
Communism
Cristian Nae
Czechoslovakia
Dietmar Unterkofler
East Germany
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Eternal Network
Feminist Art
Feminist Art Movement
gender in Eastern European art
Homo Sovieticus
Hungary
Ileana Pintilie
Iron Curtain
Jasmina Tumbas
Kata Krasznahorkai
Laine Kristberga
Latvia
Latvian SSR
Lenin Shipyard
Lithuania
Live Art
Mail Art
Maja Fowkes
marginal art spaces under socialism
Marginal Urban Spaces
Mieko Shiomi
Misko Suvakovic
Mladen Stilinovic
performance studies methodology
Poland
Proletarian Public Sphere
Public Sphere
Reuben Fowkes
Robert Filliou
Roddy Hunter
Romania
Schneemann
Socialism
socialist art networks
Socialist Yugoslavia
Student Cultural Centres
Subversive Affirmation
Tactical Networking
Textile Art
transnational art communities
unofficial artistic strategies
Violating
West Germany
Women Artists
Yugoslav Artists
Yugoslavia

Product details

  • ISBN 9781138723276
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.

The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.

Katalin Cseh-Varga is lecturer at the Universität Wien and a postdoctoral fellow at the Ludwig-Maximilians-Universität, Germany. Her research focuses on the theory of public spheres in the former Eastern bloc, archival theory, and performative and medial spaces of the experimental art scene of the 1960s-80s.

Adam Czirak is Assistant Professor in Performance Studies at the Freie University Berlin, Germany. His research focuses on aesthetics of contemporary theatre, visual culture, and performance art in Eastern Europe. His publications include: Partizipation der Blicke (Bielefeld 2011); Melancholy and Politics (co-ed., Athens 2013).