Performance, Identity, and the Neo-Political Subject

Regular price €50.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Abandoned Swimming Pools
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Fintan Walsh
B01=Matthew Causey
Blast Theory
Bone Spurs
Calchi Novati
Category1=Non-Fiction
Category=AB
Category=AFKP
Category=AN
Category=ATD
Category=JBCC
Category=JF
Category=JHB
COP=United Kingdom
Delivery_Pre-order
Dense
Digital Camps
Digital Culture
Digital Performance
Don Kent
Emil Hrvatin
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental performance art
Follow
Giant Empty
Harlequin Coat
Identity
identity politics in theater
Language_English
Matthew Goulish
Neo-Political Subject
neoliberalism critique
Object Oriented Ontology
Occupy Wall Street
PA=Not yet available
Palais Des Papes
Performance
Persona
Ping Body
Politics
post-identitarian political subjectivity
Price_€20 to €50
PS=Forthcoming
queer performance theory
relational aesthetics
Research
Slovenian Democratic Party
softlaunch
subjectivity studies
Theater
Theatre
Tragedia Endogonidia
Unlimited
Wo
Young Man

Product details

  • ISBN 9781032923475
  • Weight: 403g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book stages a timely discussion about the centrality of identity politics to theatre and performance studies. It acknowledges the important close relationship between the discourses and practices historically while maintaining that theatre and performance can enlighten ways of being with others that are not limited by conventional identitarian languages. The essays engage contemporary theatre and performance practices that pose challenging questions about identity, as well as subjectivity, relationality, and the politics of aesthetics, responding to neo-liberal constructions and exploitations of identity by seeking to discern, describe, or imagine a new political subject. Chapters by leading international scholars look to visual arts practice, digital culture, music, public events, experimental theatre, and performance to investigate questions about representation, metaphysics, and politics. The collections seeks to foreground shared, universalist connections that unite rather than divide, visiting metaphysical questions of being and becoming, and the possibilities of producing alternate realities and relationalities. The book asks what is at stake in thinking about a subject, a time, a place, and a performing arts practice that would come ‘after’ identity, and explores how theatre and performance pose and interrogate these questions.

Matthew Causey is Associate Professor in the School of Drama, Film and Music at Trinity College Dublin, Ireland

Fintan Walsh is Lecturer in Theatre and Performance Studies at Birkbeck, University of London, UK