Performance in a Pandemic

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ASMR
audience engagement online
Breakout Rooms
Category=ATD
Contemporary Societies
creative-critical methodologies
digital liveness in contemporary performance
digital performance studies
Discriminatory Parameters
Edinburgh Fringe Festival
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Gateshead International Festival
Gig Economy
Gig Work
Improv Performer
Jordanstone College
Late Stage Capitalism
live art research
Live Exhibition
Mars Exploration
MBA Program
post-pandemic cultural analysis
Puig De La Bellacasa
remote artistic practice
Remote Delivery
Rhinestone Cowboy
Scottish Prison Service
Social Distancing Measures
Successful Re-integration
Trinity Laban Conservatoire
UK Festival
Video Conferencing Platform
Wide UK
Younger Man

Product details

  • ISBN 9780367761349
  • Weight: 440g
  • Dimensions: 138 x 216mm
  • Publication Date: 15 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This edited collection gathers UK and international artists, academics, practitioners, and researchers in the fields of contemporary performance, dance, and live art to offer creative-critical responses to the impact of the COVID-19 pandemic on their work.

Themes addressed in these case studies include the ways in which liveness functions across digital platforms, the new demands on audiences and performance-makers, and the impact on international festivals as the digital removes geographical and locational restrictions. Brought together, these examples capture the creative activity and output that this unexpected cultural moment has provoked. Creative-critical responses interrogate what the global pandemic has taught us about what it is to make live work during lockdown and explore what the future of performance-making in a post-COVID world might look like.

For all scholars and performance-makers whose work brings them into the sphere of contemporary art and culture, this is an essential and stimulating account of practice at the beginning of the 2020s.

Laura Bissell is Interim Head of Contemporary Performance Practice and Lecturer in Research at the Royal Conservatoire of Scotland.

Lucy Weir is Chancellor’s Fellow in History of Art at the University of Edinburgh, where she specialises in dance and performance studies.