Performance Making and the Archive

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Alkazi Collection
Amelie Nothomb
Archival Impulse
archival material
archival practices
archival practices in performance studies
archival theory
artistic engagement
Category=AB
Category=ATD
Category=DS
Category=GTM
Category=JBCT
Category=NH
Category=UGN
Charlotte Corday
contestation
Court Form
cultural memory studies
digital humanities
discourses
Documentary Theatre
dramaturgical methods
dramaturgy
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_computing
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fire Exits
Haus Der Kulturen Der Welt
historicity
INDIAN EDITION
intercultural performance analysis
Intercultural Theatre
literary critics
Marathi Theatre
Mirella Schino
Natak Mandali
National Library
Odin Teatret
oral history research
performance practices
Performance Research Scholar
performance theory
Postmodern Dance
Rimini Protokoll
Roberta Carreri
Rustom Bharucha
Sangeet Natak
Sangeet Natak Akademi
Theroigne De Mericourt
Vice Versa
West Germany
Young Man

Product details

  • ISBN 9780367195601
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book investigates theories and practices shaped by a performance’s relationship to the archive. The contributions in the volume examine how the changing nature of performance practices has made it imperative to understand how the archive and archival practices could add to the performance work. They explore a variety of themes, including artistic engagement with the archive in both conceptual and material terms; physical, virtual and digital forms; publicly and privately collected; oral, written and digital ways; or organized and unorganized collections. Finally, the volume examines how archives are modelled on existing structure and the ways in which they can be brought into discourses and practices of performance making through engagement and contestation.

A novel approach to performance theory, this volume will be of great interest to scholars and researchers of performance studies, media and culture studies, studies of technology and art as also literature and literary criticism.

Ashutosh Potdar is a scholar and creative writer writing in Marathi and English. He is Associate Professor at FLAME University, Pune, India.

Sharmistha Saha is a theatre practitioner and researcher based in Mumbai. She is Assistant Professor at the Indian Institute of Technology Bombay, Mumbai, India.