Performance of the Basso Continuo in Italian Baroque Music

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A01=Tharald Borgir
Accompaniment
Author_Tharald Borgir
Basilica of San Petrino Bologna
Category=AVLA
Cello
Chamber sonatas
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_music
eq_nobargain
eq_non-fiction
Keyboard
Lutes
Theorbo
Violone

Product details

  • ISBN 9780835719124
  • Weight: 292g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Mar 1991
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Paperback
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Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period. Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.

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