Performance

Regular price €179.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
anthropology
automatic-update
B01=Emilie Magnin
B01=Hanna B. Hölling
B01=Jules Pelta Feldman
Category1=Non-Fiction
Category=AB
Category=AFKP
Category=AN
Category=ATD
Category=JF
Category=JHMC
contemporary art conservation
COP=United Kingdom
Delivery_Pre-order
embodied knowledge transmission
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
heritage studies
intangible cultural heritage
interdisciplinary heritage studies
Language_English
museum collection practices
PA=Not yet available
performance
performance documentation methods
preserving live art practices
Price_€100 and above
PS=Forthcoming
softlaunch
theatre

Product details

  • ISBN 9781032740829
  • Weight: 640g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Nov 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation.

Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, musicology, dance, law, heritage studies, and other fields. While its focus is on performance as understood in the context of contemporary art, the book’s notion of performance is much wider, including other media such as music, theater, and dance as well as an open-ended concept of performance as a vital force across culture(s).

While providing cutting-edge research on an emerging and important topic, this volume remains accessible to all interested readers, allowing it to serve as a singularly valuable resource for museum professionals, scholars, students, and practitioners.

Hanna B. Hölling is Research Professor at Bern Academy of the Arts and Honorary Associate Professor, University College London.

Jules Pelta Feldman was formerly Postdoctoral Fellow at Bern Academy of the Arts and is now Assistant Researcher at the Department of History of Art, University of California, Berkeley.

Emilie Magnin is a Doctoral Candidate at Bern University and Bern Academy of the Arts, and a Conservator for Media Art and Installations at the Kunstmuseum Bern.